State The Basis For Definition Of Species

on Herzog (I) Beginning

just started the last day of the year when I write this. Are the twelve twenty-six, in the morning. In less than twenty four hours we will be eating grapes, hugging loved ones and toasting with champagne, waiting, without much foundation, that the next 365 days are substantially different from the previous 365. netbook I have the knees, I'm sitting on the bed of my parents' house in Pamplona. Stomach full of nougat. I have not bought gifts for the family. I plan to do tomorrow. You will read this at the earliest, on 3 January. And why the hell I'm writing now, in Pamplona, \u200b\u200binstead of sleeping or continue reading a few pages of "Coelacanth"? Why, if all goes well, day 3, when you read this, I will not be able to write posts. If all goes well, day 2 I will have started my PAS 2011. That is, my Little Suicide Adventure 2011. I told you in this post I had some time writing a script that would direct and star. Well, it's time to start recording some sequences. There will be a conventional shoot, where everything is followed. Three, four, six, eight weeks of sustained effort. No. We will take much more. When no one should make money halts, adapt to schedules, availability of actors, locations, etc. We'll roll on the run, having to be very aware of raccord: that no actor has the hair much longer or shorter than a month ago when we shot with him last time. has not been any subsidy. Nor is the producer. Will cover expenses with some money that I have taken a script written years ago (well, a choice collection of the script: there is a lot of money) but, it will not have to pay the actors and technicians. Will be voluntary. Of course, if this project would have benefits at any time, receive their share. But it is difficult to happen: no agreement on distribution. Nor has any interest festival or television, of course. Yes, the "S" was suicidal. to this madness I had the support of several people. On all of my friends Oriol Puig, director of some of my favorite short years, and Eladio Sánchez Agudo, his usual excellent picture director. I also lend a hand Renau Laura, a friend and in charge of costumes for the films of Jonas Trueba and Felix Viscarret among others, and Cristina Laguna, great editor who has worked in some of my shorts and in a few films. Gradually, people will incorporate this little project. I would love to have many more, but I feel bad asking them to work for nothing. Yesterday for you (within three days for me), we were (we) in a charming hotel in Madrid, the Master. We had (We) slate. But someone said (say) national Eladio press (press) the red button on the machine to produce dreams. And then it all started (start).

Here, as soon as possible, hang the first seconds of the first shot.